SUN RA AND HIS ARKESTRA
Jazz Festival di Kongsberg Broadcast
Broadcast by NRK1, 1982-09-17
The first time I ever heard Ornette Coleman was with his double quartet. I was absolutely and totally shocked. I had much the same reaction when I first heard Sun Ra. I can’t really say my reaction has changed much
Sun Ra's piano technique touched on many styles: his youthful fascination with boogie woogie, stride piano and blues, a sometimes refined touch reminiscent of Count Basie or Ahmad Jamal, and angular phrases in the style of Thelonious Monk or brutal, percussive attacks like Cecil Taylor. Often overlooked is the range of influences from classical music – Sun Ra cited Chopin, Rachmaninoff, Schoenberg and Shostakovich as his favorite composers for the piano.
As a synthesizer and electric keyboard player, Sun Ra ranks among one of the earliest and most radical pioneers. By the mid-1950s, he used a variety of electric keyboards, and almost immediately, he exploited their potential perhaps more than anyone, sometimes modifying them himself to produce sounds rarely if ever heard before. His live albums from the late 1960s and early 1970s feature some of the noisiest, most bizarre keyboard work ever recorded
Sun Ra's music can be roughly divided into three phases, but his records and performances were full of surprises and the following categories should be regarded only as approximations.
June TYSON vocals
Carla WASHINGTON vocals
Beverly PARSONS dancer
Greg Pratt dancer
Marshall ALLAN alto sax, flute
John Gilmore tenor sax, clarinet
Danny THOMPSON alto & baritone sax
Leroy TAYLOR alto sax & bass clarinet
James Jackson fagotto & drum
Tyrone Hill trombone
Thomas Hunter trumpet
Ron Brown trumpet
Longine PARSON trumpet
Rollo REDFORD bass
Hayes Burnette bass
Clifford JARVIS drums
Eric Walker trumpet
Sun Ra bandleader, keyboards, voice
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