Friday, January 31, 2020

BOYD RAEBURN - Rhythms By Raeburn

NIGHT IN TUNISIA
https://audiomack.com/song/6300-irving-park-rd-402-chicago-il-60634/a-night-in-tunisia

From 1945.  I'm breaking my rule about music from the 50s on. But Raeburn was so far ahead of others that "rules are made to be broken".

Rhythms By Raeburn : Tommy Allison, Dale Pierce, Carl Berg, Alan Jeffreys (tp) Johnny Mandel (tb,arr) Rodney Roberts, Jack Carman (tb) Hal McKusick, Leonard Green (as) Stuart Anderson, Frank Socolow (ts) Hy Mandel (bar) Boyd Raeburn (bassax) prob. Ike Carpenter (p) unknown (g) Joe Berisce (b) Irv Kluger (d) David Allyn, Claire Hogan (vcl)
     Broadcast, Blue Room, Palace Hotel, San Francisco, CA, June 19, 1945

BOBBY SHEW - The Metropole Orchestra

JOY SPRING
https://www.youtube.com/watch?v=Jbwo3RDX0ho

Thursday, January 30, 2020

DIVA + The Boys

Complete Recording
https://www.youtube.com/playlist?list=OLAK5uy_nld6I28-Tsmmn8UAIUV05T8cH54j2yq9E

November 18, 2019. Led by drummer Sherri Marical, the DIVA Jazz Orchestra has been a uniquely swinging force since 1992. The all- female band has been leading by example when it comes to presenting contemporary big band jazz in a fresh and personalized fashion.

On DIVA + The Boys, the ladies invite some male instrumentalists to join them, and, of course, in true DIVA fashion, they insisted on the cream of the crop.

The invited gentlemen are clarinetist (and Big Band veteran) Ken Peplowski, acclaimed trumpeter Claudio Roditi, in-demand trombonist Jay Ashby, and guitarist Marty Ashby (yes, they are brothers). Marty produced this album at the Manchester Craftsmen’s Guild, a multi-disciplined center for arts and learning in Pittsburgh, where this album was recorded, live in concert.

The music, a mix of originals by the guest soloists, songs from the jazz songbook, and some Brazilian standards, are delivered masterfully by the contemporary orchestra. Peplowski’s clarinet lends a traditional feel to Benny Goodman’s “Slipped Disc,” yet adds a sense of suave to the classic “Estate.”

On the Jay Ashby creation “Deference To Diz,” three of the guests play together, making the overall sound as progressive as the DIVA Orchestra themselves.

Claudio Roditi offers a tiny example of his signature playing to one of his own, “Piccolo Blues,” a horn-heavy fun tune that shows off the precision of the band. He very aptly appears on the Jobim classic “A Felicidade,” and is perfectly paired with the DIVA soloist on this piece, the wonderful saxophonist Roxy Coss.

To be clear, the DIVA Jazz Orchestra can stand alone and win accolades any day. Boasting members like the aforementioned Ms. Coss, along with other heavy hitters like Alexa Tarantino, Leigh Pilzer, Tomoko Ohno and many others, big names aren’t needed to get them recognition. Their careful selection of high caliber guests is something that has enhanced their recordings over the years, without compromising the integrity of the band’s capabilities.

Though members have been replaced over the years, DIVA has remained a large group of high level musicians. With Marical at the helm, they have proven jazz is not a boys club, but, in this case, welcomed some well- respected boys to their stage to make some exciting music.

Tuesday, January 21, 2020

CHICAGO YESTET - Jazz Is Politics?

Complete Recording

Trombonist-bandleader-arranger Joel Adams and his Chicago Yestet have rediscovered an oft-forgotten truth: When the ironic sneer has become mainstream, unforced sincerity and directness aren’t only unconventional, they can be downright subversive" - Jazz Times - link to pdf 

"The band oozes with crafty pros and mighty soloists, plus smoldery singer Maggie Burrell and spoken word artist Rob Dz. The latter two inevitably dominate this session. “In The Here And Now” riffs on “Fakebook friends” and the social media paradigm shift. Burrell’s lyrics are darkly confessional, not glib postings, and “Thursday Night Blues” is an unsettling update of “Don’t Explain.” Her melancholy vocals, with rich coffee flavor reminiscent of Oleta Adams or Roberta Flack, dwell on the struggle and compromise of societal and personal progress, or lack thereof." - 

This powerhouse 13-piece heartland jazz band shouts and signifies mightily, striving to bridge America’s huge political divide by universalizing the group’s social values. On the CD cover, the Yestet’s name and album title adorn golden meshing gears—the economic promise of an America that works together, by contrast to our dysfunctional “just say no” Congress. Nodepression.com 

"Jazz is Politics?"

"Jazz Is Politics? showcases the compositions of trombonist and Chicago Yestet leader, Joel Adams, whose pieces are impressive, dynamic, well thought out and performed brilliantly. This large ensemble of ten features excellent individual musicianship and a solid rhythm section that both swings and grooves throughout, maneuvering the twists and turns of these intelligent compositions. The horn section is tightly knit and continuously weaves in and out of the pieces but doesn't dominate the music like a classic big band might. Additionally, the Yestet is joined on three tracks by creative guitarist Jeff Parker and by Rob Dz, who provides spoken-word lyrics in a political context and whose presence makes this disc even more interesting." - Chicago Jazz Magazine 

"In the case of the Yestet, these personalities are socially conscious ones, and their collective impact isn't just a musical statement but a platform that educates listeners about political issues and rallies them to respond. " - Isthmus  out of Madison, WI.

" Having an all-star team of musicians from the Chicago jazz scene would do the band no good were it not for Adams' tastefully intriguing compositions and arrangements. When the Chicago Yestet asks Jazz Is Politics? it seems the only answer is: yes." - All about Jazz

Maggie Burrell has been one of the most versatile singers on the Chicago music scene for the last decade, lending her chameleon-like skills to every genre from blues to rock. She was one of the featured singers on Blue Chicago’s Mojo Mama’s cd and is the vocalist and lyricist for the Chicago Yestet Jazz Orchestra. Maggie has worked with several top society bands and is an established jingle and session singer. 

Geof BradfieldSaxophonist Geof Bradfield was born in Houston, TX, where he attended the renowned High School for the Performing and Visual Arts. He lived and worked for periods in New York, Los Angeles, and Washington before settling in Chicago in 2004. Along the way, he has been fortunate to work alongside many jazz luminaries and to perform throughout the United States, Europe, Russia, Africa and the Middle East. He is featured on numerous recordings, including his critically acclaimed 2010 release African Flowers, which was named one of the top 10 CDs of 2010 by the Los Angeles Times. His septet performed this 10-part suite in 2011 at Chicago’s Millennium Park to an audience of 8,000 as part of the celebrated series Made in Chicago: World Class Jazz. Mr. Bradfield and his ensemble also presented the suite at the DuSable Museum of African American Art as the Artist-in Residence of the Hyde Park Jazz Festival in the fall of 2011.  Geof's personal website. 

Xavier BreakerA native of South Carolina, drummer Xavier Breaker came from a musical family, with his mother being a singer, and his father, a drummer. Xavier began developing his musical abilities at an early age in church, and later on in life he realized that music was his passion. Xavier has played with numerous artists including Joe Sample, Randy Crawford, Howard Hewitt, Lalah Hathaway, Ernie Watts, and Bob Mintzer. He has also played for some of Chicago’s finest including Corey Wilkes, Kahil El Zabar, Dee Alexander, Eric Schneider, Chicago Jazz Orchestra, Chicago Yestet, and many others. Xavier Breaker received his Bachelor’s in Percussion Performance from the University of South Carolina, where he studied under Professor Scott Herring and drummer, Jim Hall. Xavier has also received his Master’s in Jazz Studies from Northern Illinois University, under Professor Ronald Carter. Along with being a sideman, Xavier Breaker is also a bandleader, arranger, and composer for his own group, the Xavier Breaker Coalition.   Xavier's personal website. 

Chris MadsenSaxophonist, composer, and educator Chris Madsen hails from the Chicagoland area. After graduating from DePaul University in 2003 with a Bachelor’s in Jazz Studies, he attended the Juilliard School’s Jazz Program in New York City, performing there for three years with such artists as Wynton Marsalis, Bobby Short, and Barbara Lea. In 2006, he moved back to Chicago and, in addition to leading his own groups at venues such as the Jazz Showcase, Andy’s, and the Chicago Jazz Festival, has also performed with the Chicago Yestet, Chicago Jazz Orchestra, Ron Perrillo quartet, and the Rob Parton, Tom Matta, Mulligan Mosaics, and Joe Clark big bands. He has released four albums under his name and been involved with countless other recording projects. Madsen is a published composer with Kendor Music Inc, Walrus Music, and the UNC Jazz Press and is an in-demand clinician for jazz groups of all ages. Madsen currently serves as Jazz Faculty at Northwestern University in Evanston, IL and Jazz Program Director at Midwest Young Artists in Highwood, IL.  Chris' personal website.

Chuck ParrishChuck Parrish began playing trumpet in 1975 and has earned his living as a performer and private teacher for over 35 years. In that time he has performed almost every style of music; from classical to circus, big band to Broadway, and soul to rock and roll. As a teacher he works with students ranging from beginners to professionals. Efficient use of air, smart practice, and passionate performance are vital traits he tries to ingrain in his students. Some of the more notable artists he has performed with are Ray Charles, Stevie Wonder, Jazz at Lincoln Center with Wynton Marsalis, The Chicago Sinfonietta, Jersey Boys, West Side Story, and Aretha Franklin. He performs over 250 shows internationally in addition to a studio of 40 private students per week. Currently he can be seen playing lead trumpet for Maceo Parker: To Ray with Love, a special tribute to Ray Charles, The Ray Charles Orchestra & The Raelettes. Mr. Parrish holds a Master of Music and a post-master’s Certificate in Performance from DePaul University in Trumpet Performance. His undergraduate work was done in music at University of Illinois in Champaign - Urbana studying with Ray Sasaki. Chuck is an S.E. Shires Artist and performs on the handmade Destino III trumpet exclusively. He is also a Hammond Design Artist playing the Chuck Parrish line of custom mouthpieces. 

Russell JohnsonTrumpeter Russ Johnson recently relocated to the Chicago area after spending 23 years as an important member of the New York City jazz community. He is an active performer in the jazz, improvised, and contemporary classical music scenes and has had the opportunity to perform in over 40 countries. In addition to leading his own groups, and co-leading The Other Quartet, the Co Streiff/Russ Johnson Quartet, and New Math, Russ is currently touring as a member of Lee Konitz' New Nonet and the Steve Swallow/Ohad Talmor "L'Histoire du Clochard" sextet. In addition, Russ has performed with a long list of musical heavyweights including; Bill Frisell, Joe Lovano, Kenny Wheeler, Richie Beirach, Mark Ribot, Charles Earland, David Liebman, Joe Maneri, Oliver Lake, Tony Malaby, Jenny Scheinman, and Mat Maneri. Russ' personal website. 

Tom Garling Trombonist Tom Garling has played with such greats as Frank Sinatra, Tony Bennett, Dizzy Gillespie, Chick Corea, Pat Metheny, and Randy Brecker. He joined Maynard Fergusons Big Bop Nouveau Band, and toured with Maynard as Musical Director and trombonist for six years. Tom currently resides in the Chicago area, and is highly sought after around the world as a recording artist, composer and arranger, teacher, clinician and professional musician. Tom's personal website.

Joel Adams Trombonist Joel Adams won the International Trombone Association Frank Rosolino Memorial Scholarship in 1986. He toured with The Woody Herman Orchestra performing with Clark Terry, Joe Williams, Dizzy Gillespie, and Diane Schuur. He has also played with Rich Perry and the Gary Morgan Latin Big Band while living in New York City. Locally, he has performed with the Chicago Jazz Ensemble with Jon Faddis, Doug Lawrence, Jimmy Heath, Arturo Sandoval and Clyde Stubblefield as well as his own groups. 

Nick MazzarellaSaxophonist and composer Nick Mazzarella has been described as "continuing the approach taken by like-minded trailblazing altoists like Eric Dolphy, Ornette Coleman, Henry Threadgill, Oliver Lake, and Gary Bartz” by “seek[ing] to embody the history of the music while pushing it forward into new realms” (Troy Dostert, All About Jazz). He has been a consistent presence in Chicago's music scene since the early 2000s, where his continuous performance schedule has made an aesthetically unique contribution to the city’s rich culture of jazz and improvised music. His working trio and quintet have served as the primary vehicles for his endeavors as a composer and bandleader, while as a collaborator or sideman he has performed and recorded with such artists as Tomeka Reid, Joshua Abrams, Hamid Drake, Ingebrigt Håker Flaten, Avreeayl Ra, Rob Mazurek, Makaya McCraven, Dana Hall, and Geof Bradfield. Recordings of his original music have been released by Nessa Records, Clean Feed Records, International Anthem Recording Company, and Astral Spirits, and he has performed with his ensembles and as a solo artist throughout the United States and Scandinavia.(Photo by Peter Gannushkin/downtownmusic.net) Nick's personal website. 

Clark Sommers Bassist Clark Sommers is featured on the Grammy Award winning album "Dedicated to You: Kurt Elling Sings the Music of Coltrane and Hartman." Clark has toured and performed extensively throughout the world with Cedar Walton, Kurt Elling, Kevin Mahogany, Peter Bernstein, Von Freeman, Bobby Broom, Michael Weiss, The Chicago Jazz Orchestra, Charlie Haden Liberation Orchestra, and the Joe La Barbara Sextet. From 1997 to 1999 Clark performed and toured with Sony Recording Artists The Mighty Blue Kings. He has also performed at international jazz festivals in the US, Ireland, France and Canada, sharing bills with Tony Bennett, Diana Krall, B.B. King, Dr. John, The Staples Singers, Koko Taylor and Buddy Guy. Clark's personal website. 


Mike AllemanaGuitarist Mike Allemana's performing credits include 1997-2012 with the late tenor sax legend Von Freeman at his famous Tuesday night gig at the New Apartment Lounge. Mike toured with Von to Berlin in 2002, which was released as Vonski Speaks on Nessa Records in 2009.  He can also be heard on Von Freeman’s 2002 release The Improvisor on Premonition Records. Other highlights include 1996-1997 with organ great Charles Earland, 1995-1999 with tenor saxophonist Lin Halliday, appearances from 1997-1999 with organ master Lonnie Smith, 1998-2002 with tenor saxophonist Ron Dewar, a 2005 performance in Philadelphia with Von Freeman and drumming legend Mickey Roker, a 2006 performance with Von Freeman and drum-master Jimmy Cobb, and in 2008 with alto saxophonist Steve Coleman.  Mike toured to Poznan, Poland in 2010 to perform with fellow Chicago guitarists Bobby Broom and Jeff Parker. The Jazz Institute of Chicago along with the Chicago Cultural Center commissioned him to arrange Von Freeman’s original compositions for a 10-piece ensemble, featured in the summer of 2011 for the Made in Chicago concert series at Millennium Park with special guests Eric Alexander, Julian Priester, and Steve Coleman. Later that same year, he travelled again to Poznan to perform an original 4-part suite dedicated to Von Freeman written for a 9-piece group. In 2014, drumming legend Bernard Purdie joined Mike and George Freeman for a weekend at the Green Mill in Chicago. Mike's personal website. 

Keith HarrisKeith Harris is a songwriter and producer based in Chicago IL. Infatuated with music since a young age, he uses his craft to deliver a message of unity and acceptance. His influences range from Frederic Chopin to Jay-Z, with a focus on lyrics that pull at the heartstrings as well as challenge the mind to think for oneself.
Keith Harris' personal sites: Twitter  Instagram 

Rob ClearfieldA lifelong resident of the Chicago area, pianist Rob Clearfield has performed and recorded with the likes of John Wetton, Rakalam Bob Moses, eighth blackbird, Zach Brock, Caroline Davis, and Marquis Hill, among many others. In addition to the his work with the Chicago Yestet, he is also the regular pianist/keyboardist with Grazyna Auguscik, Itamar Borochov, Outertown, Hood Smoke, and Matt Ulery. Rob has received commissions to compose for stage productions, churches, and films, and has released several recordings of his original music.
Rob Clearfield' personal site 


Sunday, January 19, 2020

VANGUARD JAZZ ORCHESTRA, BOB BROOKMEYER

https://www.youtube.com/watch?v=e52y4zUOs2A&t=1342s

I had lost track of Bob Brookmeyer after his association with Gerry Mulligen.  Then one day I saw a PBS program about him rehearsing the the Vanguard Jazz Orchestra. Man this wasn't the Bob Brookmeyer I remembered. But once I got tuned in to what he was doing it was really great. Here is something from that era

Friday, January 17, 2020

TOLVAN BIG BAND

Multiple Tracks

https://www.youtube.com/watch?v=QZwOX9JBWB8&list=PLArL7NKqfMjSUwCBgGXpYJDABsGsfBPoa 

From southern Sweden and the area around the coastal town of Malmö, Tolvan Big Band has been developing to become a powerhouse organisation with an international reputation of the most up-to-date and ambitious Big Bands anywhere in the world. Since around 1979 its musical leader Helge Albin, creative Saxophonist, and composer and arranger has emerged to devote much of his time and energy to organising the band into a successful ensemble capable of a wide variety of musical situations. The proof of this success can be heard clearly in their recordings, sometimes in the company of very celebrated guests. And of course in their Live performances.

Wednesday, January 15, 2020

BOB FLORENCE - Eternal Licks and Grooves

Complete Recording
https://www.youtube.com/watch?v=r7oHoU_dbaQ&list=OLAK5uy_kR3u3fZTR9zOMXLzPWpEt0oieQim6PCPk
Bob Florence has built a reputation as a solid arranger and composer who has amassed quite a discography that extended nearly a half-century by the time this studio recording was made in the spring of 2006. Leading an all-star West Coast-based big band sprinkled with a few guest soloists, the pianist starts things off with his imaginative "Eternal Licks & Grooves," an IAJE-commissioned work saluting Count Basie that utilizes a repeated lick from Basie's "One O'Clock Jump" but not in a traditional swing setting. Claude Debussy's French Impressionist work "Claire de Lune" seems like a brand new composition after Florence applies his master strokes on the charts for his band, transforming it from a quiet ballad to an upbeat cooker. Branislaw Kaper's "Invitation" is a favorite of singers and instrumentalists alike, typically played in a bossa nova setting; Florence's approach is more reserved, gaining steam gradually and providing an excellent solo showcase for tenor saxophonist Jeff Driskill and trumpeter Steve Huffsteter. Finally, "Appearing in Cleveland" serves as a finale, saluting bandleader Stan Kenton and incorporating several of his most famous compositions in aFlorence's imaginative extended suite. Highly recommended! This CD was nominated in 2007 for a Grammy award as Best Large Jazz Ensemble Album.
AllMusic Review by Ken Dryden

Kim Richmond     Alto, Clarinet, Soloist, Soprano, Woodwind
Don Shelton     Alto, Clarinet, Soloist, Soprano, Woodwind
Bob Florence     Arranger, Composer, Liner Notes, Piano, Primary Artist, Soloist
Bob Carr     Baritone, E Flat Clarinet, Soloist, Woodwind
Trey Henry     Bass, Soloist
Jeff Driskill     Clarinet, Sax (Tenor), Soloist, Woodwind
Tom Peterson     Clarinet, Sax (Tenor), Soloist, Woodwind
Billy Kerr     Clarinet, Sax (Tenor), Woodwind
Peter Erskine     Drums, Guest Artist, Soloist
Steve Huffsteter     Flugelhorn, Soloist, Trumpet
Ron Stout     Flugelhorn, Soloist, Trumpet
Pete DeSiena     Flugelhorn, Trumpet
Larry Lunetta     Flugelhorn, Trumpet
Lee Thornberg     Flugelhorn, Trumpet
Scott Whitfield     Guest Artist, Soloist, Trombone
Carl Saunders     Guest Artist, Soloist, Trumpet
Larry Koonse     Guitar, Soloist
Alexander Isles     Soloist, Trombone
Bob McChesney     Soloist, Trombone
Craig Gosnell     Trombone (Bass)
Charles Loper     Trombone

Tuesday, January 14, 2020

BUDDY RICH BIG BAND - Plays The arrangements of Marty Paich and Ernie Wilkins

CHEROKEE
https://audiomack.com/song/6300-irving-park-rd-402-chicago-il-60634/cherokee-1
Ernie Wilkins     Arranger, Composer, Conductor
Marty Paich     Arranger
Phil Leshin     Bass
Joe Mondragon     Bass
Earle Warren     Composer, Sax (Alto)
Harry "Sweets" Edison     Composer, Trumpet
Buddy Rich     Drums, Primary Artist
Buddy Collette     Flute, Sax (Baritone)
Sam Herman     Guitar
Bill Pittman     Guitar
John Bunch     Piano
Jimmy Rowles     Piano
Phil Woods     Sax (Alto)
Stephen Perlow     Sax (Baritone)
Al Cohn     Sax (Tenor)
Bob Cooper Quartet & Quintet     Sax (Tenor)
Benny Golson     Sax (Tenor)
Bob Enevoldsen     Trombone (Valve)
Eddie Bert     Trombone
Billy Byers     Trombone
Jimmy Cleveland     Trombone
Willie Dennis     Trombone
Frank Rosolino     Trombone
Emmett Berry     Trumpet
Pete Candoli     Trumpet
Joe Ferrante     Trumpet
Stan Fishelson     Trumpet
Conrad Gozzo     Trumpet
Jimmy Nottingham     Trumpet

Sunday, January 12, 2020

COUNT BASIE - Basie On The Beatles

COMPLETE RECORDING
https://www.youtube.com/watch?v=jqOD8f4vRpM&list=OLAK5uy_mZoC_7-9W15YvODvKHaXzTLVnddWTXHJA

This album was arranged by Bob Florence. I asked him about it once on another group and he said that he was not at all proud of it. But it's worth listening to for historical reasons, and there's no way people  Basie and Florence could get together and produce a 'bad' recording.  This is actually the second Beatles album that Basie did. The first was arranged by Chico O'Farrill.  I'll stay with Bob Florence.

Basie on the Beatles is an album by pianist and bandleader Count Basie featurinhttps://wineinsiders.com/g performances recorded in late 1969 and released on the short-lived Happy Tiger label.[1][2] It was Basie's second album of Beatles' compositions following 1966's Basie's Beatle Bag and featured liner notes by Ringo Starr.

    Count Basie - piano, organ
    Sonny Cohn, Gene Goe, Luis Gasca - trumpet
    Waymon Reed - trumpet, flugelhorn
    Grover Mitchell, Mel Wanzo - trombone
    Bill Hughes - bass trombone
    Marshal Royal - alto saxophone, clarinet
    Bobby Plater - alto saxophone, flute
    Eric Dixon - tenor saxophone, flute
    Eddie "Lockjaw" Davis - tenor saxophone
    Charlie Fowlkes - baritone saxophone
    Freddie Green - guitar
    Norman Keenan - bass, electric bass
    Harold Jones - drums
    Bob Florence - arranger


BASIE & BEYOND

FOR LENI AND LENNIE
https://www.youtube.com/watch?v=o-9gGRBiXMs&list=OLAK5uy_mqTSmt5hV39GgzdwNbGrrfxAC4gryMpLM
This is the best sound I've ever heard produced on a soprano saxophone and it's in tune.

"Labor of love" is the inevitable phrase to describe this album on which composer/conductor/arrangers Quincy Jones and Sammy Nestico, both of whom wrote for Count Basie and His Orchestra, assemble a top-flight big band to perform some of their vintage charts. Despite the use of the bandleader's name in the title and the pictures of him with the two principals on the front and back of the album, the music is more "beyond" than "Basie." It is true that both Jones and Nestico are steeped in the Basie band's light, rhythmic approach to playing and their music is imbued with that style. But both are better understood as graduates of the Basie school than true adherents, people who have spent the better parts of their careers applying their knowledge of swing to other endeavors, notably film scores. As a result, you will hear music that is more "jazzy" than "jazz." Nevertheless, it is exhilarating to listen to a big band recorded with modern fidelity; the rhythm section especially stands out, and, of course, rhythm was everything in Basie's sound. The wealth of talent meant the album had to be recorded quickly, in a couple of days, but it also seems to have inspired the players to do their best. Basie & Beyond is almost a fantasy project, a major-label release of a high-quality jazz date with practically no chance of significant sales. In that sense, the other inevitable term to describe it is "throwback," but you can't help being glad Jones has the clout to indulge in this kind of thing now and then.
 
Quincy Jones    Arranger, Composer, Conductor, Executive Producer, Primary Artist, Producer
Jerry Hey    Associate Producer, Conductor, Trumpet
Chuck Berghofer    Bass (Acoustic)
Neil Stubenhaus    Bass (Electric)
Vinnie Colaiuta    Drums
Harold Jones    Drums
Hubert Laws    Flute
Brad Warnaar    French Horn
Gregory Williams    French Horn
Paul Jackson, Jr.    Guitar (Electric)
Emil Richards    Percussion, Vibraphone
Paulinho Da Costa    Percussion
Greg Phillinganes    Piano (Electric)
Randy Kerber    Piano
Dan Higgins    Sax (Alto), Sax (Soprano), Woodwind
Kirk Whalum    Sax (Soprano), Sax (Tenor), Saxophone
Pete Christlieb    Sax (Tenor), Woodwind
Gerald Albright    Saxophone, Woodwind
Jack Nimitz    Saxophone, Woodwind
Ernie Watts    Saxophone, Woodwind
George Bohannon    Trombone
Charles Loper    Trombone
William Frank "Bill" Reichenbach Jr.    Trombone
Bill Watrous    Trombone
Rick Baptist    Trumpet
Oscar Brashear    Trumpet
Gary Grant    Trumpet
Warren Luening    Trumpet


COUNT BASIE ORCHESTRA with GROVER MITCHELL

Four For Basie
https://audiomack.com/song/6300-irving-park-rd-402-chicago-il-60634/four-for-basie
I'm pretty sure that very, very few have this, nor have heard this.  It's from the 1999 Chicago Jazz Festival. Grover Mitchell and The Count Basie Orchestra

Wednesday, January 8, 2020

ROB McCONNELL AND THE BOSS BRASS

EVEN CANADIANS GET THE BLUES

Rob McConnell & the Boss Brass tackle a mostly blues-oriented program for these 1996 sessions, with five originals by the leader, in addition to tunes by others. "Even Canadians Get the Blues" is a lively shout-type tune in the mold of Woody Herman's big band showcasing trumpeter Steve McDade and tenor saxophonist Alex Dean. While "The Clarinet Is Black and Blue" isn't technically a blues, it has a bluesy air, with Moe Koffman's melancholy clarinet backed by the lush ensembles, which often include a choir of four additional clarinets. Boss Brass alum Ian McDougall contributed the breezy blues "Do You Mean It?," which puts the spotlight on pianist Dave Restivo, flügelhornist John McLeod, and alto saxophonist John Johnson. The upbeat "The Shuffle Boogie Swamp Groove Blue" adds guest Doug Riley on organ, while the date closes with a brief, lush rendition of the Canadian National Anthem, "O Canada." McConnell's liner notes are often amusing, as is his cover photo pose as a drunken Canadian Mountie passed out draped over a piano.
 AllMusic Review by Ken Dryden

Guido Basso Flugelhorn, Guest Artist, Trumpet
Ed Bickert Guest Artist, Guitar
John Burk Executive Producer
Arnie Chycoski Flugelhorn, Trumpet
Alex Dean Clarinet, Flute, Guest Artist, Sax (Tenor)
John Johnson Clarinet, Flute, Piccolo, Sax (Alto), Sax (Soprano)
Alastair Kay Trombone
Moe Koffman Clarinet, Flute, Guest Artist, Piccolo, Sax (Alto), Sax (Soprano)
Bob Leonard Clarinet, Clarinet (Bass), Flute, Sax (Baritone)
Bob Livingston Trombone
James MacDonald French Horn
Rob McConnell Arranger, Composer, Primary Artist, Producer, Trombone, Trombone (Valve)
Steve McDade Flugelhorn, Trumpet
Rob McDonnell Performer, Primary Artist
John B. McLeod Flugelhorn, Trumpet
Ernie Pattison Trombone, Trombone (Bass)
Gary Pattison French Horn
Dave Restivo Piano
Kevin Turcotte Flugelhorn, Trumpet
Jim Vivian Bass
Ted Warren Drums
Rick Wilkins Arranger, Clarinet, Composer, Sax (Tenor) 

Tuesday, January 7, 2020

THE GENE HARRIS ALLSTAR BIG BAND – Tribute To Count Basie

COMPLETE RECORDING
https://www.youtube.com/watch?v=XXiWHFiJBA4&list=PLbRj8WQNRn3Ar5WN7I3fSm40zH0tiezpb

A big-band date that slightly predated pianist Gene Harris' association with the Philip Morris Superband, this CD is ostensibly a tribute to the recently deceased Count Basie, but surprisingly, only two of the eight songs ("Swingin' the Blues" and "Blue and Sentimental") were played by Basie, although one original ("Captain Bill") was written in homage of the bandleader. Harris' 16-piece orchestra does bring back the spirit of Basie's band in spots, with a lightly but steadily swinging rhythm section and such soloists as trumpeters Conte Candoli and Jon Faddis and tenors Plas Johnson and Bob Cooper. But in reality, Harris dominates the solo spotlight, and the music (which includes a memorable version of "When Did You Leave Heaven") is a bit predictable.

Ray Brown     Bass, Composer, Guest Artist
James Leary     Bass
Herb Ellis     Composer, Guest Artist, Guitar
Monty Alexander     Composer
Jeff Hamilton     Drums, Guest Artist
Plas Johnson     Guest Artist, Sax (Tenor)
Bill Watrous     Guest Artist, Trombone
Conte Candoli     Guest Artist, Trumpet
Jon Faddis     Guest Artist, Trumpet
Snooky Young     Guest Artist, Trumpet
Gene Harris     Performer, Piano, Primary Artist
Bill Green     Sax (Alto)
Marshall Royal     Sax (Alto)
Jack Nimitz     Sax (Baritone)
Bob Cooper     Sax (Tenor)
Garnett Brown     Trombone
Thurman Green     Trombone
Charles Loper     Trombone
William Frank "Bill" Reichenbach Jr.     Trombone
Bill Waltrous     Trombone
Bobby Bryant     Trumpet
Frank Szabo     Trumpet

Monday, January 6, 2020

GORDON GOODWIN - The Phat Pack

Complete Recording
https://www.youtube.com/watch?v=KGv_t25p98o&list=OLAK5uy_mwq2G58_n4EOUsgxRAF9GvyEKqkPOgxzA


 

Gordon Goodwin's Big Phat Band proves that large jazz ensembles are still in demand with this mostly rewarding effort. Goodwin, who wrote most of the music and doubles on piano and tenor sax, makes the most of his group's abilities. Highlights include the modern swing chart "Count Bubba's Revenge," the playful "Hunting Wabbits (A Bad Ha/Users/carldoering/Desktop/info.txtre Day)" featuring Sal Lanzo on piccolo, and "Ever Braver, Ever Stronger (An American Elegy)," which is a richly textured work suggesting the influence of 20th century composer Aaron Copland. There are also various guests: vocalist Dianne Reeves adds a nice touch to the swinging chart of "Too Close for Comfort," while virtuoso clarinetist Eddie Daniels is featured in Goodwin's demanding "Under the Wire." The vocal group Take 6 add their tight harmonies to a breezy arrangement of "It Was a Very Good Year." The only dud is the ridiculously out-of-place 1970s R&B hit "Play That Funky Music" (by the one-hit-wonder band Wild Cherry), a piece of tripe featuring shrill smooth jazz alto saxophonist David Sanborn, who is also an ill fit with this normally swinging big band. Goodwin does his best to make something of this monotonous piece, but he is done in by its lack of substance; it's hard to believe that he chose either the song or Sanborn for this otherwise outstanding CD.

 AllMusic Review by Ken Dryden


Gordon Goodwin     Arranger, Composer, Piano, Primary Artist, Producer, Sax (Tenor)

Jay Mason     Clarinet (Bass), Sax (Baritone)
Jeff Driskill     Clarinet, Sax (Tenor)
Brian Scanlon     Clarinet, Sax (Tenor)
Ray Brinker     Drums
Bernie Dresel     Drums
Sal Lozano     Flute, Piccolo, Sax (Alto)
Eric Marienthal     Flute, Sax (Alto), Sax (Soprano)
Eddie Daniels     Guest Artist, Primary Artist
Dianne Reeves     Guest Artist, Primary Artist
David Sanborn     Guest Artist, Primary Artist
Take 6     Guest Artist, Primary Artist
Grant Geissman     Guitar
Carl Verheyen     Guitar
Luis Conte     Percussion
Brad Dutz     Percussion
Dan Savant     Photography, Producer, Trumpet
Rex Bullington     Photography
Booker White     Preparation
Gordon Goodwin's Big Phat Band     Primary Artist
Craig Gosnell     Trombone
Alex Iles     Trombone
Andrew Martin     Trombone
Charlie Morillas     Trombone
Craig Ware     Trombone
Wayne Bergeron     Trumpet
Daniel Fornero     Trumpet

Saturday, January 4, 2020

PRAT BROTHERS BIG BAND FEATURING ROBERTA GAMBARINI - 16 Men And A CHick SIngingg

"Cup of Life" (AKA, "The Cup Bearers"), 
https://www.facebook.com/alan.gauvin.1/videos/2067502596896536/UzpfSTEwMDAwOTEwNDQ3OTYxODozMDYwNjExMjk0OTk0MTQ6MTA6MDoxNTgwNTQzOTk5Ojc4NTc1NDA5MTA5NDU3MTkxMjA/?__tn__=%2Cd-]-h-R&eid=ARA0a52II8w9z3gDMOv_Y9Vi5W1jvFBLhaydU6akg9rAnog8coVd1IfGhVhFNYNDiin6ucoMyU5J9xOO

Big bands may no longer regularly touring extensively across the U.S., but there are still musicians like brothers Dean Pratt (trumpet) and Michael Pratt (drums) who can put together an exciting band for a studio date. They devour Ernie Wilkins' swinging "Big Bad Basie" whole, offering a percolating take of Hank Mobley's "Old World New Imports" and a loping "Falling in Love with Love," another Wilkins arrangement. In addition to the leaders' outstanding solos, featured artists include pianist Ronnie Mathews, tenor saxophonist Willie Williams, and trumpeter Don Sickler (all veterans of T.S. Monk's band and occasionally leaders themselves), along with bassist Chip Jackson (Billy Taylor Trio) and trombonist Scott Whitfield (who has recorded several CDs of his own). Vocalist Roberta Gambarini's on-the-money vocals are added on several tracks, including a lush "Skylark," Michael Abene's inventive arrangement of "Cup of Life" (Tom McIntosh's gorgeous melody "The Cup Bearers" with lyrics by Meredith d'Ambrosio), and Kenny Dorham's little known ballad "Fair Weather." Highly recommended.
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Michael Abene     Arranger, Assistant
Ernie Wilkins     Arranger, Composer
Wayne Coniglio     Arranger, Main Personnel, Soloist, Trombone (Bass)
Don Piestrup     Arranger
Rich Shemaria     Arranger
Chip Jackson     Bass, Bass Instrument, Main Personnel, Soloist
Ben Rubin     Bass
Michael Pratt     Drums, Leader, Main Personnel, Mixing, Soloist
Dean Pratt     Leader, Liner Notes, Main Personnel, Mixing, Soloist, Trumpet, Trumpet (Muted)
Ronnie Mathews     Main Personnel, Piano, Soloist
Roberta Gambarini     Main Personnel, Primary Artist, Vocals
Alan Gauvin     Main Personnel, Sax (Alto), Saxophone
Marc Phaneuf     Main Personnel, Sax (Alto)
David Schumacher     Main Personnel, Sax (Baritone), Soloist
Willie Williams     Main Personnel, Sax (Tenor), Soloist
Mike Karn     Main Personnel, Sax (Tenor)
Rick Stepton     Main Personnel, Soloist, Trombone
Scott Whitfield     Main Personnel, Soloist, Trombone
Joe Mosello     Main Personnel, Soloist, Trumpet
Don Sickler     Main Personnel, Soloist, Trumpet
Danny Cahn     Main Personnel, Trumpet
Ross Konikoff     Main Personnel, Trumpet
Frank Driggs     Photography
Chuck Stewart     Photography
Pratt Brothers Big Band     Primary Artist 

Wednesday, January 1, 2020

WOODY HERMAN -From England 1964

WOODY HERMAN
https://www.youtube.com/watch?v=R8Ycbrwqh5w

mm426. Thats the tempo of this Woody Herman flag waver. Outrageous. They have a memorial statue somewhere for bass player Chuck Andrus who, at the end of this crazy tune had the nerve to take a solo. Soloists abound but of particular note is Sal Nistico, the second tenor player heard. That guy was from another planet.

So here from England, is Woody’s 1964

Woody Herman (cl, voc), Tommy Anastas (bars), Gary Klein, Sal Nistico, Joe Romano (ts), Bill Chase, Paul Fontaine, Billy Hunt, Danny Nolan, Gerald Lamy (t), Henry Southall, Phil Wilson, Kenny Wenzel (tb), Nat Pierce (p), Chuck Andrus (b), Jake Hanna (d). England, 1964. 426 beats per minute.

GERRY MULLIGAN - The Concert Jazz Band

You Took Advantage Of Me
https://www.youtube.com/watch?v=TsbDUdlVh2o&list=PLx3G5Svsncmkb4ATIrhzMDfuRjjqRjkkx

For the third record by his Concert Jazz Band, baritonist Gerry Mulligan recorded concert works by the likes of George Russell ("All About Rosie"), Gary McFarland ("Weep" and "Chuggin'") and Johnny Carisi ("Israel") in addition to two of his own compositions. With strong solos from Mulligan, valve trombonist Bob Brookmeyer, Don Ferrara and Nick Travis on trumpets and altoist Gene Quill, this LP offers a set of excellent music from the legendary big band.
AllMusic Review by Scott Yanow

Artist    Credit
Bill Crow    Bass
Gene Allen    Clarinet (Bass), Sax (Baritone)
Gene Quill    Clarinet, Sax (Alto)
Mel Lewis    Drums
Bob Donovan    Flute, Sax (Alto)
Gerry Mulligan    Leader, Piano, Primary Artist, Sax (Baritone)
Jimmy Reider    Sax (Tenor)
Alan Raph    Trombone (Bass)
Bob Brookmeyer    Trombone (Valve)
Willie Dennis    Trombone
Don Ferrara    Trumpet
Doc Severinsen    Trumpet
Nick Travis    Trumpet

TOSHITUKI MIYAMA & NEW HERD


ANDY MARTIN - VIC LEWIS The Project

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