Redd is the daughter of New Orleans jazz drummer and Clef Club co-founder Alton Redd and Mattie Redd (née Thomas).[3] She was born in Los Angeles. She was deeply influenced during her formative years by her father, who was one of the leading figures on the Central Avenue jazz scene. Another important musical mentor was her paternal great aunt Alma Hightower.[2][4]
After working for the Board of Education from 1957 to 1960, Redd returned to jazz. She played in Las Vegas in 1962, toured with Earl Hines in 1964 and led a group in San Francisco in the mid-1960s with her husband, drummer Richie Goldberg. During this time, Redd also worked with Max Roach. While active, she toured as far as Japan, London (including an unprecedented 10 weeks at Ronnie Scott's), Sweden, Spain and Paris. In 1969, she settled in Los Angeles where she played locally while also working as an educator.[1][5] She led albums for United Artists (1962) and Atco (1962–63). Her 1963 album Lady Soul features many prominent jazz figures of the day, including Bill Perkins, Jennell Hawkins, Barney Kessel, Leroy Vinnegar, Leroy Harrison, Dick Hyman, Paul Griffin, Bucky Pizzarelli, Ben Tucker and Dave Bailey. The liner notes are by Leonard Feather.[6][7]
Redd graduated from California State University, Los Angeles, and earned a teaching certificate from University of Southern California. She taught and lectured for many years from the '70s onward upon returning to Los Angeles.[2][5] She served on the music advisory panel of the National Endowment for the Arts in the late 1970s.[8][9] In 1989 she received the Lifetime Achievement Award from the Los Angeles Jazz Society.[10] In 2001 she received the Mary Lou Williams Women in Jazz Award from the Kennedy Center.[11]
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