Tuesday, February 27, 2018

CHICO O'FARRILL


CHICO O’FARRILL
CUBAN BLUES

For any and all Latin jazz collectors, casual or serious, this is a fabulous deal, for it gathers together no less than six exceedingly rare Chico O'Farrill Clef and Norgran 10" albums, plus one under Machito's name, onto a slimline two-CD set. It will also come as a revelation to anyone who might scoff at anything associated with the 1950s mambo craze, for these discs reveal O'Farrill as a sophisticated, even daring arranger/composer who reached beyond merely providing a beat for dancers. Many of these charts -- whether for the brief, dance-oriented Latin numbers; ultra-familiar standards like "Malaguena" and "The Peanut Vendor"; or jazz tunes -- are loaded with intricate figures and striking harmonies obviously gleaned from classical study, all crisply executed with a brash, shiny edge by his Afro-Cuban groups and bands staffed by American jazzmen. Occasionally, he even conjures a delicate, classical ambience from a number like "Angels' Flight" (named after Los Angeles' legendary downtown funicular). The apotheosis of O'Farrill's experiments are his two full-blown, groundbreaking Afro-Cuban jazz suites. The first features Flip Phillips and the redoubtable Charlie Parker as soloists within the Machito band, and the second is even bolder in its zigzag journey through the classical, Latin, and jazz camps. Yet for all of his erudition, O'Farrill never forgets to ask for madly percolating Afro-Cuban grooves from his rhythm teams -- which clinches the deal for any Latin music fan.

AllMusic Review by Richard S. Ginell

Monday, February 26, 2018

MOONBAG




NTSU - 1960
MOONBAG
Morgan Powell


If anyone uses the word ‘moonbag’ to refer to really avant garde, experimental and even outside arrangements, well here is where it came from. The beginning of the jazz education dynasty at North Texas began here, and trombone player arranger Morgan Powell was in at the beginning.  He put this tune in the book while a student at North Texas. 


Saxophones:
Archie Wheeler, Lead Alto
Allen Solganick, Alto/Tenor
Jerry Keys, Tenor/Flute
Ray Kireilis, Tenor/Baritone
Herb Porter, Baritone/Bass Clarinet
Trombones:
Morgan Powel, Lead
Dee Barton
William Barton
Larry Moser
Jerry Schulze, Bass Trombone
Trumpets:
Marv Stamm, Lead
Ron Towell
John Crews
Tom Wirtel
John Inglis
Lanny Steele, Piano
Toby Guynn, Bass
Paul Guerrero, Drums
Don Gililland, Guitar

Extra Players for Special Instruments:
Ken Fears, Flute
David Irving, Horn
Bill Pickering, Horn
John LaForge, Tuba

Sunday, February 25, 2018

DEJAN PETROVIC

DEJAN PETROVICBIG BAND

Here is something pretty different. It’s worth listening to I think.
Check out the ‘Trombone Section”
Biography


Dejan Petrovic, the son and successor of the most famous Serbian trumpet player Mica Petrovic, was born in 1985 in the village of Duboko, near Uzice. Dejan and his brother Darko belong to the fourth generation of trumpet players in their family of music manufacturers.The first one to start playing the trumpet was Dejan’s great grandfather Tanasije and since then the skill has been passed down from father to son. Tanasije’s successor was Danilo and then his son Mica, who deserves credit for the world fame of this instrument. Dejan, a young trumpet player, won prestigious awards as well as hearts of the audience wherever he performed. Success followed success until finally he surpassed the achievements of his father at the competition in Guca in 2006, winning the “Master’s Letter”, the most prominent award at the competition. And so the twenty-year-old from the village of Duboko went down in history as the youngest Master of the Trumpet and as an artist with a potential to win the world in the same manner. The name Dejan Petrovic became a synonym for traditional Serbian music everywhere in the world, often combined with modern elements and adjusted for everybody’s ear. Here it comes to fusion sound of traditional instruments, brass band and other instruments that are the opposite of it, like a compound of trumpets and sound distortion on electric guitar. As in each fusion, releases great energy, and it is not difficult to recognize that in this case. Until now, he recorded 4 CDs, in addition to original music by working with his band, the repertoire have a multitude of foreign processing and international tracks whose interpretation is very authentic, thanks to the concept of the band, or combination of instruments that make it. He participated in all major, national, music festivals and many times represented Serbia at various international fairs, sports and cultural events, festivals, and always with great success. In a word – The Ambassador of the Serbian Trumpet.

Saturday, February 24, 2018

THE BULGARIAN NATIONAL BIG BAND


Bulgarian National Radio Big Band
50 Years of the Bulg. National Radio Big Band

Led by former Don Ellis piano player and Bulgrian national Milcho Leviev

Before the Big Band was created original Bulgarian music was unheard of, I mean popular and dance music. Even the songs bands would sing in restaurants were performed in the original language, without translation. When the Big Band was set up, the BNR Popular and Dance Music department channeled its efforts towards creating its repertoire.”
That is how Villy Kazasyan, conductor of the Bulgarian National Radio Big Band  from 1963 until 1996 begins his story. The most prestigious and longest surviving jazz orchestra in this country came into being in 1960 in an almost completely foreign language musical environment. The very fact of its birth provoked the creative imagination of Bulgarian composers who started creating popular and dance music especially for its repertoire. In its first years, a string of conductors succeeded one another – Jules Levi, Dimitar Ganev, Georgi Ganev, Emil Georgiev and Milcho Leviev.
A real watershed in the history of the BNR Big Band is the period when its conductor was Villy Kazasyan. Before taking over he was Big Band pianist and witnessed all processes that accompanied its first steps. The recording of his voice from the BNR Golden Fund audio archives we are offering you was made in 1998 but takes us back to the beginning. A prominent composer and music arranger, author of pop and jazz pieces, film soundtracks and music for children, the Maestro offers us a keen insight into the development of Bulgarian popular music, and more specifically the music of the BNR Big Band in its infant years.
“That was how the first Bulgarian instrumental pieces in this genre were born. Still, there was a tradition back then in composing what was known as serious music. Many composers tried their hand at writing big band music – some succeeded, others not so much. It was more difficult when it came to songs, but things soon changed. Probably because they came from a classical music background, many composers were apt to compose really complex pieces. And sometimes there would be misunderstandings in the way they were performed – some could not get through to the audience. Perhaps there were people who thought it was beneath their dignity to write things that were simple. To my mind, it is the simple things that are often most difficult to accomplish. There was also a trend to write folklore-style music and the results were rarely any good.”
Notwithstanding the “growing pains” the beginning had been laid and the processes were going ahead. The orchestra was quickly turning into a national institution.

After Villy Kazasyan, the baton was passed over to Yanko Miladinov and these past few years – to Anthony Donchev. In its 54-year long history the orchestra has made thousands of recordings for the BNR. It has taken part in all pop and jazz forums in the country and festivals abroad and has toured extensively. For dozens of years it was the principal orchestra accompanying performers from Bulgaria and abroad at the legendary pop song contest, the Golden Orpheus. Renowned singers of several generations took the first steps in their career with the BNR Big Band – Lilly Ivanova, Yordanka Hristova, Bogdana Karadocheva, Vassil Naidenov and many more. So much more can be said about the band’s instrumentalists, composers and arrangers because to this day its appeal to musicians of different generations has never waned. 

Friday, February 23, 2018

MODERN ART ORCHESTRA


Modern Art Orchestra
Circular
(complete recording)

MODERN ART ORCHESTRA
From Bartok’s Homeland

Lively, snappy, intuitive and captivating. The symphonic lineup of Modern Art Orchestra is a unique musical formation, not only in the Hungarian music scene. Since its forming in 2005, Modern Art Orchestra has been a melting pot for the artistry of highly qualified young musicians in Hungary’s classical music and jazz scene. Founder and director of the band, Hungary’s leading trumpeter Kornél Fekete-Kovács established the first line of musicians with the dream of operating a contemporary orchestra which would focus on playing compositions by some of the best contemporary creative musicians of the country. Through its first years of activity, Modern Art Orchestra received masterpieces from composers like Péter Eötvös. But at that level, the career had only begun.
Since the first chapter of its story, MAO has gained the status of an internationally renowned orchestra that is engaged in many genres of music including jazz, pop, classical or contemporary ensemble. It has had countless successful projects together with the world’s leading musicians from Bob Mintzer, Dave Liebman or Wallace Roney through Rhoda Scott, Julian Joseph, Erika Miklósa, Mike Garson or Silje Neergard to Mezzoforte, New York Voices or Harlem Gospel Choir – just to name a few. Modern Art Orchestra is also proud of the engagement with one of the doyens of the world’s film music: Ennio Morricone who had chosen our orchestra for his world tour in 2014. The concert series took place in 12 cities throughout Europe from Paris to Berlin, Vienna, Prague, Brussels or Amsterdam. Last year MAO had a 6 part concert tour in the United States. This year we organized a European Tour and we had our first concert ever in Israel.

Modern Art Orchestra’s repertory contains more than 25 hours of music uniquely composed for, dedicated to and premiered by the orchestra. It began its career with being a crossover formation that plays mostly contemporary compositions, and provides stage appearance to young performing talents thus being a creative artistic workshop for a handful of carefully chosen young musicians. Now after over ten years of its ambitious activity, the band has gained its status as a creative ensemble with fresh and unique style that is sought after by many of the world’s leading artists as an accompanying partner to their latest projects.

Thursday, February 22, 2018

JEFF HEDBERG


Jeff Hedberg & C11
Sweet Georgia Brown

I mentioned this group a little earlier in relation to Terry's post of Marty Paich. It is Paich's arrangement done for Mel Torme. Chicago group C11 lead by Jeff Hedberg does a great job here.


Nice Work?If You Can Get It - Pages Of Paich, : Jeff Hedberg (vcl,ldr) acc by Joe Lill (tp-1) Kirk Garrison (tp-2) Nick Drozdoff (tp) Steve Duncan (tb) Rich Armandi (tu) Lisa Taylor (fhr) Jarod Bufe (ts-3) Brett Palmer (ts-4) Rich Moore (as) Jonathan Edwards (bar-5) Ted Hogarth (bar-6) Brian Toms (bar-7) Ken Spurr (p-8) Joe Pohcastro (b) Darren Scorza (d)

LEW ANDERSON


LEW ANDERSON
Scott Whitfield

My One And Only Love
Check out the young Scott Whitfield
Live performances by Lew Anderson's Big Band in New York City.  Filmed at the Red Blazer Too and at Birdland, these videos document one of America's little-known big band arrangers, leading his All American Big Band.  Lew's band performed nearly every Friday night, from 5:30 pm to 7:30 pm for many years in the 1990's.  Many of New York's leading instrumentalists played in Lew's band.  Video was shot by Bob Biondo.

Why Did I Choose You

Tuesday, February 20, 2018

ESSENTIALLY ELLINGTON


Garfield Band 1 
Performance at 2016 Essentially Ellington

More from Lincoln Center , Garfield High School

Seattle, Washington

COUNT BASIE


Show of the Week - Count Basie and his Orchestra (1965)
From BBC4


45Minutes of the greatest

Sunday, February 18, 2018

ESSENTIALLY ELLINGTON



ESSENTIALLY ELLINGTON 2016
Triangle Youth Jazz Ensemble
Sain Louis Blues

This year, the 21st annual Essentially Ellington High School Jazz Band Competition & Festival once again brought top ensembles from all over the United States to perform at the House of Swing in New York City. 


Jazz at Lincoln Center is committed to instilling a broader understanding of Duke Ellington’s music, which lies at the very heart of America’s 20th-century musical heritage and the core of the rich canon of jazz music. That’s why we  created the Essentially Ellington program (EE) during the 1995–96 school year to make Ellington’s music accessible to as many high school musicians as possible and to support the development of their schools’ music programs.



Tucson Jazz Institute- COTTON CLUB STOMP
Another performance from Essentially Ellington
And check out the bass saxophone solo


Duke Ellington’s music is at the very heart of America’s 20th-century musical heritage and the core of the rich canon of jazz music. Jazz at Lincoln Center, committed to instilling a broader understanding of this music, created the Essentially Ellington program (EE) during the 1995–96 school year to make Ellington’s music accessible to as many high school musicians as possible and to support the development of their schools’ music programs.

ANDY MARTIN - VIC LEWIS The Project

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