Thursday, September 14, 2017

AL JARREAU



AL JARREAU
and the Metropole Orkest

I've got way to much stuff in my library I've never listened to. He is one such example

In a career that now touches five decades, genre-blurring vocalist Al Jarreau has delivered surprisingly few live albums. Discounting 1994’s Tenderness (promoted as live but recorded in a studio before a small audience), this is only his third live outing and first since 1985’s dazzling Live in London . Captured over two nights in Den Bosch, Netherlands, and arranged and conducted by Vince Mendoza, it serves as stunning testament to the septuagenarian’s indefatigable panache.

Backed by the 53-piece Metropole Orkest, Jarreau opens strong, scat-weaving his way through “Cold Duck” and softening the swing for a joyously majestic treatment of “Jacaranda Bougainvillea,” his ode to South African unity. While Jarreau’s trademark nasality remains as distinctive as ever, there’s no question that his vocal power has diminished. He is, however, canny enough to pace himself accordingly.


Mendoza, too, appreciates Jarreau’s limitations and strategically reduces the Orkest’s wall of sound to simmer when necessary: hence the comparatively temperate readings of “Flame,” “Agua de Beber” (for which Jarreau shapes a sensational intro) and “Something That You Said” that fill the playlist’s center. Jarreau’s “We’re in This Love Together,” though an obvious crowd-pleaser, is slightly creaky, never quite meshing. Still, he more than makes up for it with a sassy, percolating “Scootcha-Booty” and a closing “Spain” that is a seven-and-a-half-minute master class in showmanship.

Wednesday, September 13, 2017

SESI BIG BAND



SESI  BIG BAND
convida OSUFRN Feira De Mangaio (Ao Vivo)

This is very interesting. The problem is, is that I dont speak a word of Portuguese and all the info I can find is in Portuguese. Perhaps one of our Brazilian members can tell us something about this. 

Tuesday, September 12, 2017

CLAYTON-HAMILTON JAZZ ORCHESTRA




CLAYTON-HAMILTON JAZZ ORCHESTRA 
"Squatty Roo" (Live In Germany)

THE CLAYTON-HAMILTON JAZZ ORCHESTRA , Jazzwoche Burghausen 2011

Musicians:
JOHN CLAYTON - conductor, bass
JEFF HAMILTON - drums
JOHN PIZZARELLI - guitar, vocals
KEITH FIDDMONT - alto saxophone, clarinet
CHARLES OWENS - tenor saxophone, clarinet
IRA NEPUS - trombone
RYAN PORTER - trombone
BIJON WATSON - trumpet
JAMES FORD - trumpet
SAL CRACCHIOLO - trumpet
CHRISTOPH LUTY - bass
JEFF CLAYTON - alto saxophone
RICKEY WOODARD - tenor saxophone
LEE CALLET - baritone saxophone, bass clarinet
ANDRE HAYWARD - trombone
MAURICE SPEARS - trombone
CLAY JENKINS - trumpet
GILBERT CASTELLANOS - trumpet
TAMIR HENDELMAN - piano

GRAHAM DECHTER - guitar

TERRY GIBBS BIG BAND




TERRY GIBBS BIG BAND
Cottontail


Cottontail, arranged by Al Cohn, performed by Terry Gibbs Big Band, March 26, 1982 for WGBH-PBS TV.

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Trumpets: Bill Berry, Pete Candoli, John Audino, Conte Candoli; Trombones: Benny Powell, Charlie Loper, Dick "Slide" Hyde; Saxophones: Bob Cooper - tenor, Terry Harrington - tenor, Med Flory - alto, Gus Bivona - alto, Jack Nimitz - baritone; Rhythm: Paul Smith - piano, Jim Hughart - bass, Frank Capp - drums; Terry Gibbs - leader and vibes

Monday, September 11, 2017

JIMMY SMITH



JIMMY SMITH
OLIVER NELSON
PETER AND TEH WOLF



Peter & the Wolf is a 1966 studio album by Jimmy Smith, with Oliver Nelson's big band. It's based on Sergei Prokofiev's Peter and the Wolf.


• Jimmy Smith - organ
• Oliver Nelson - arranger, conductor
• Joe Newman, Ernie Royal, Richard Williams, Snooky Young - trumpet
• Phil Woods, Jerry Dodgion, Bob Ashton, Jerome Richardson, Danny Bank, Stan Webb - reeds
• Tony Studd - bass tuba
• Quentin Jackson, Dick Hixson, Britt Woodman, Tom McIntosh - trombone
• Willie Ruff, Jimmy Buffington - French horn
• Barry Galbraith, Billy Butler - guitar
• Richard Davis - bass
• Grady Tate - drums

• Harry Brewer, Bobby Rosengarden - percussion

DON ELLIS



DON ELLIS
Bulgarian Bulge

It hurts just looking at the score.  If you only look at the notes it’s not that hard, but as soon as you see how the beats are sub-divided you might need a therapists.. I love this chart.

Fred Selden
Arranger, Clarinet, Composer, Flute, Sax (Alto), Sax (Soprano), Saxophone
Don Ellis
Arranger, Flugelhorn, Main Personnel, Primary Artist, Producer, Trumpet
Jo Julian
Bass
Joe Julian
Bass
Carol Kaye
Bass
Lee Pastora
Bongos, Congas, Cowbell, Percussion, Rhythm Section, Shaker
Mike Altschul
Clarinet, Clarinet (Bass), Flute, Sax (Baritone)
Lonnie Shetter
Clarinet, Flute, Oboe, Sax (Alto), Sax (Soprano)
Sam Falzone
Clarinet, Flute, Sax (Tenor), Saxophone, Soloist
Sam Faizone
Clarinet, Flute, Sax (Tenor)
Ron Starr
Clarinet, Sax (Alto)
Jon Clarke
Clarinet, Sax (Baritone)
Peter Manning Robinson
Clavinet, Fender Rhodes, Harpsichord, Piano, Rhythm Section, Ring Modulator, Soloist
Ralph Humphrey
Drums, Percussion, Rhythm Section, Vibraphone
Rick Quintinal
Drums, Percussion, Vibraphone
Stewart Blumberg
Flugelhorn, Trumpet
Jack Coan
Flugelhorn, Trumpet
John Rosenberg
Flugelhorn, Trumpet
Glenn Stuart
Flugelhorn, Trumpet
John Klemmer
Flute, Performer, Sax (Tenor)
Hadley Caliman
Flute, Sax (Tenor)
Jay Graydon
Guitar
Patti Allen
Main Personnel, Primary Artist, Vocals
Gene Strimling
Percussion
Peter Robinson
Piano, Piano (Electric)
Al Kooper
Producer
Glenn Ferris
Soloist, Trombone
Dana Hughes
Trombone (Bass)
Doug Bixby
Trombone, Tuba
George Bohanon
Trombone
Jack Ellis
Trombone
Jock Ellis

Trombone

DON ELLIS



DON ELLIS
Pussywiggle Stomp


From his appearance at the Montreux Jazz Festival on July 8, 1977.
I had a friend who tried to dance to this and ended up in the hospital.

Don Ellis - Trumpet, Composer, Arranger
Reeds - Ann Patterson, Ted Nash, James Coile, Jim Snodgrass
Trumpets - Glenn Stuart, Gil Rather, Jack Coan
French Horn - Sidney Muldrow
Trombone - Alan Kaplan
Bass Trombone - Richard Bullock
Tuba - Jim Self
Keyboards - Randy Kerber
Bass - Leon Gaer, Darrell Clayborn
Drums - David Crigger
Congas - Chino Valdes
Percussion, Drums and Mallets - Michael Englander
Percussion, Mallets and Timpani - Ruth Ritchie
Violins - Pam Tompkins, Lori Badessa
Viola - Jimbo Ross

Cello - Paula Hochhalter

Sunday, September 10, 2017

JOE WILLIAMS-THAD JONES, MEL LEWIS




Come Sunday 
From Duke Ellington’s, Black, Brown & Beige
Beautiful tune


AllMusic Review by Scott Yanow
This CD reissues one of Joe Williams' finest recordings. Accompanied by the Thad Jones/Mel Lewis Orchestra, the singer is heard at the peak of his powers. The big band primarily functions as an ensemble (Snooky Young gets off some good blasts on "Nobody Knows the Way I Feel This Morning"), but the inventive Thad Jones arrangements ensure that his illustrious sidemen have plenty to play. Many of the selections (half of which have been in the singer's repertoire ever since) are given definitive treatment on this set (particularly a humorous "Evil Man Blues," "Gee Baby, Ain't I Good to You," and "Smack Dab in the Middle"), and Williams scats at his best on "It Don't Mean a Thing." Get this one.


• Joe Williams – vocals
• Thad Jones – flugelhorn
• Mel Lewis – drums
• Richard Davis – bass
• Roland Hanna – piano
• Sam Herman – guitar
• Jerome Richardson – saxophone
• Jerry Dodgion – saxophone
• Joe Farrell – saxophone
• Eddie Daniels – saxophone
• Pepper Adams – saxophone
• Richard Williams – trumpet
• Bill Berry – trumpet
• Jimmy Nottingham – trumpet
• Snooky Young – trumpet
• Bob Brookmeyer – trombone
• Garnett Brown – trombone
• Tom McIntosh – trombone

• Cliff Heather – trombone

DUKE ELLINGTON



DUKE ELLINGTON
Live At The Blue Note

We’ve been leaving out Duke.
This two-CD set gives one a good example of how Duke Ellington's Orchestra sounded in 1959. Greatly expanded from the original single LP, the release essentially brings back a full night by the Ellington band, three nearly complete sets. The music ranges from old favorites to some newer material and highlights include Billy Strayhorn sitting in on his "Take the 'A' Train," several selections from the recent Anatomy of a Murder soundtrack, versions of "Drawing Room Blues" and "Tonk" that have both Ellington and Strayhorn on piano, an 11-minute rendition of "Mood Indigo" and quite a few features for altoist Johnny Hodges.


• Duke Ellington – piano (tracks 1.2-2.13)
• Billy Strayhorn - piano (tracks 1.1 & 1.14)
• Cat Anderson, Shorty Baker, Willie Cook, Clark Terry - trumpet
• Ray Nance - trumpet, violin
• Quentin Jackson, Britt Woodman - trombone
• John Sanders - valve trombone
• Jimmy Hamilton - clarinet, tenor saxophone
• Johnny Hodges - alto saxophone
• Russell Procope - alto saxophone, clarinet
• Paul Gonsalves - tenor saxophone
• Harry Carney - baritone saxophone
• Jimmy Woode - bass (tracks 1.1-2.6 & 2.8-2.13)
• Johnny Pate - bass (track 2.7)

• Sam Woodyard - drums

Saturday, September 9, 2017

PAQUITO D'RIVERA



PAQUITO D'RIVERA 
& WDR Big Band


Big Band Time is yet another showcase for the first-rate WDR Big Band (WDR), featuring Paquito D’Rivera and Claudio Roditi. Conducted and rearranged by Bill Dobbins, the material is familiar, although its treatment isn’t. The reconceptualizations of compositions mostly associated with the career of the Cuban saxophonist are ingenious and the WDR eats them up. All soloists do the same, as this is a particularly strong musical group; hence the ease with which both D’Rivera and Roditi stay par course with their respective well-established reputations and musical characters. The former’s clarinet playing is always a pleasure to hear – particularly so on “Song For Maura” – while the latter’s reliance blindsides many to his trustworthiness. Together, with the crystalline tightness of the sonic immensity of the WDR behind them, they manage their entreaties predictably well. 

Everybody swings finely and strongly, even with the type of high-class elegance that big bands ought to elicit while performing these types of tunes. The album, however, is not on the jamming side of the fence. Even so, there’s plenty of tropical heat and it couldn’t be otherwise given all guests involved and the nature of the material. Thankfully, rather than blowing for its own sake, the ensemble playing is a credit upon itself, magnifying the effect of all soloists. 

Big Band Time does not have one accurate length of the performances in the printed information. Not all the soloists mentioned solo and some, as in the cases of the missing credit for trombone solo in “Basstronaut,” as well as the piano one in “Who’s Smokin?” where Ludwig Nuss is credited for an nonexistent trombone solo. If you are concerned with such minutiae, the credits must be redone. As per the music, it really is a fine, fattened musical time. 



Track Listing: To Brenda With Love, Danza Caracteristica, Song for Maura, Basstronaut, Who's Smokin'?, Y La Negra Bailaba, Andalucia, A Lo Tristano, Como Un Bolero, Annette's For Sure.

Personnel: Paquito D'Rivera: clarinet, saxophone;John Goldsby: bass; Claudio Roditi: trumpet, flugelhorn; Koji Paul Shigihara: guitar; Oscar Stagnaro: bass; Mark Walker: drums; Olivier Peters: saxophone; Heiner Wiberny: saxophone; Pernell Saturnino: percussion; Ludwig Nuss: trombone.

ANDY MARTIN - VIC LEWIS The Project

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